Front cover of first edition | |
| Author | Charles G. Finney |
|---|---|
| Illustrator | Boris Artzybasheff |
| Language | English |
| Genre | |
| Published | 1935 Viking Press |
| Publication place | United States |
| Media type | Print (hardcover) |
| Pages | 154 pp. |
The Circus of Dr. Lao (1935) is a novel written by the American newspaperman and writer Charles G. Finney. It won one of the inaugural National Book Awards: The Most Original Book of 1935. [1] [2] Although the first edition was illustrated by Boris Artzybasheff, many later editions omit the illustrations.
The paperback edition of 1974 received a positive review in The New York Times , which called the book a "classic American joke", comparing it to the likes of Mark Twain, Ambrose Bierce and H. L. Mencken. [3]
The Circus of Dr. Lao was re-issued in 2016 as part of the Fantasy Masterworks series. The 2016 edition was reviewed in Starburst, which called it "an experience you shouldn't miss and a trip into the dark heart of a Big Top you will never forget". The review also pointed out the influence of Dr. Lao on Ray Bradbury's Something Wicked This Way Comes . [4]
A contemporary reviewer in Kirkus Reviews was positive, writing, "It's crazy – but I liked it. It's astoundingly learned – but not annoyingly so." [5]
The novel is set in the fictional town of Abalone, Arizona. A circus owned by a Chinese man named Dr. Lao pulls into town one day, carrying legendary creatures from all areas of mythology and legend, among them a sea serpent, Apollonius of Tyana (who tells dark, yet always truthful, fortunes), a medusa, and a satyr. Through interactions with the circus, the locals attain various enigmatic peak experiences appropriate to each circus patron's personality.
The tale ends with the town becoming the site of a ritual to a pagan god whimsically given the name Yottle (possibly an allusion to the Mesoamerican god Yaotl, whose name means "the enemy"). The ritual ends when the god himself slays a virgin, her unrequited lover, and his own priest. The circus over, the townsfolk scatter to the winds. Apparently few of them profit from their surreal experiences.
The book's appendix is a "catalogue" of all the people, places, items, and mythological beings mentioned in the novel, summing up the characters pithily and sardonically, revealing the various fates of the townsfolk, and listing a number of plot holes and unanswered questions not addressed in the narrative.
List of Dr. Lao's exhibited creatures and persons:
The novel was later adapted by Charles Beaumont into the script for an effects-filled 1964 movie The 7 Faces of Dr. Lao . The film features a great deal of stop-motion animation which was produced by George Pal.
The movie follows Finney's book only vaguely, abridges and changes many of the circus' exhibited creatures and persons, and inserts a subplot about how the town miser – played by Arthur O'Connell – plots to dupe townspeople into selling him their land, as he knows a railroad will soon come to the town.
Each of the "7 faces" is portrayed by actor Tony Randall: He appears as Dr. Lao, who alternates between speaking in stereotypical Chinese broken English and a solemn deep voice and a mastery of English, using several different accents. Randall also plays Medusa; Pan; the Abominable Snowman; Apollonius of Tyana (who serves as the sideshow fortune teller and who is cursed with being unable to shield people from unhappy truths); the magician Merlin (who is so old and fumbling that the obtuse audience does not realize he performs actual miracles, when not performing clumsy sleight of hand); and the faces of a stop-motion serpent that changes its appearance, depending on who looks at it. Finally, Randall portrays a circus patron who appears once in a crowd scene.