Ron Wynn of AllMusic stated "It was one of the better combinations of socio-political commentary and urgent soul vocals done in the period. The title cut, as well as the singles "Fish Ain't Bitin" and "Tryin' To Hold On To My Woman," were sizable hits."[1]
French Horn – Arthur Maebe, David Duke, Vincent DeRosa
Guitar – Greg Poreé, Ray Parker Jr., Wah Wah Watson, David T. Walker
Harp – Gayle Levant, Stella Castellucci
Mastered By [Disc Mastering Engineer] – Phil Cross
Percussion – King Errisson
Photography By – Chris Callis
Piano – Ernest Vantrease, McKinley Jackson
Producer – McKinley Jackson
Saxophone [Sax], Flute, Oboe – Anthony Ortega, Ernest Green, Ernie Watts, Fred Jackson*, John Daversa, John Kelson, Jules Jacob
Soloist [Sax Solo] – John Kelson
Trombone – George Bohannon
Trumpet – Bud Brisbois, Oliver Mitchell*, Oscar Brashear, Warren Roché
Viola – Allan Harshman, Harry Hyams, Milton Thomas, Philip Goldberg
Violin – Gerald Vinci, Harry Bluestone, Henry Ferber, Henry Roth, Israel Baker, Jack Shulman, James Getzoff, Jay Rosen, Leonard Malarsky, Nathan Ross, Paul Shure, Spiro Stamos, Stanley Plummer, Tibor Zelig, Bill Kurasch
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