This is a list of solo piano pieces by Joseph Haydn.
Two numbering schemes for the sonatas are commonly used. Here, the pieces are sorted using the numbering method proposed by H. C. Robbins Landon, [1] while the "Hob. XVI" specification refers to its index in the Hoboken catalogue.
| Landon | Hob. XVI | Key | Date | Audio | Notes |
|---|---|---|---|---|---|
| 1 | 8 | G major | Uncertain | ||
| 2 | 7 | C major | 1766 | Uncertain | |
| 3 | 9 | F major | 1758 | Uncertain | |
| 4 | G1 | G major | Doubtful | ||
| 5 | 11 | G major | 1767 | Uncertain; contains movements apparently derived from other works | |
| 6 | 10 | C major | 1767 | Uncertain | |
| 7 | XVII/D1 | D major | Doubtful | ||
| 8 | 5 | A major | 1750–55 | Uncertain | |
| 9 | 4 | D major | 1765 | ||
| 10 | 1 | C major | 1750–55 | ||
| 11 | 2 | B♭ major | 1760 | ||
| 12 | 12 | A major | 1767 | Uncertain | |
| 13 | 6 | G major | 1766 | ||
| 14 | 3 | C major | 1765 | ||
| 15 | 13 | E major | 1767 | Uncertain | |
| 16 | 14 | D major | 1767 | Uncertain | |
| 17 | Es2 | E♭ major | 1750–1766?? | Doubtful | |
| 18 | Es3 | E♭ major | 1750–1766?? | Doubtful; possibly composed by Mariano Romano Kayser | |
| 19 | 47 | E minor | 1765–67 | Different version of L. 57; does not contain Moderato movement of L. 57; only the minuet is exclusive to L. 19. | |
| 20 | 18 | B♭ major | 1771–73 | ||
| 21 | 2a | D minor | Lost | ||
| 22 | 2b | A major | Lost | ||
| 23 | 2c | B major | Lost | ||
| 24 | 2d | B♭ major | Lost | ||
| 25 | 2e | E minor | Lost | ||
| 26 | 2g | C major | Lost | ||
| 27 | 2h | A major | Lost | ||
| 15 | C major | Uncertain; arrangement of the Divertimento in C, Hob. II/11 | |||
| 16 | E♭ major | Uncertain | |||
| 17 | B♭ major | Spurious; by Johann Gottfried Schwanenberger | |||
| 28 | XIV/5 | D major | Incompletely preserved | ||
| 29 | 45 | E♭ major | 1766 | ||
| 30 | 19 | D major | 1767 | ||
| 31 | 46 | A♭ major | 1767–70 | The second movement is in D flat Major, which is very rare in Classical-era compositions. Haydn only wrote this key. | |
| 32 | 44 | G minor | 1771–73 | ||
| 33 | 20 | C minor | 1771 | The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger | |
| 34 | 33 | D major | 1773 | Published 1783 in London in unauthorized edition by Beardmore & Birchall | |
| 35 | 43 | A♭ major | c.1773 | Published 1783 in London | |
| 36 | 21 | C major | 1773 | For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 | |
| 37 | 22 | E major | 1773 | For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 | |
| 38 | 23 | F major | 1773 | First movement: (3:42) Second movement (4:00): Third movement (2:44): | For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 |
| 39 | 24 | D major | 1773 | For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 | |
| 40 | 25 | E♭ major | 1773 | For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 | |
| 41 | 26 | A major | 1773 | For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 | |
| 42 | 27 | G major | 1774–76 | ||
| 43 | 28 | E♭ major | 1774–76 | ||
| 44 | 29 | F major | 1774 | ||
| 45 | 30 | A major | 1774–76 | ||
| 46 | 31 | E major | 1774–76 | ||
| 47 | 32 | B minor | 1774–76 | The is the only sonata whose second movement is in B Major. | |
| 48 | 35 | C major | 1780 | Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger | |
| 49 | 36 | C♯ minor | 1780 | Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger Only piano composition that is written in this key. The minuet also contains C# Major section, which is exceptionally rare in Classical-era compositions. | |
| 50 | 37 | D major | 1780 | Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger | |
| 51 | 38 | E♭ major | 1780 | Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger | |
| 52 | 39 | G major | 1780 | Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger | |
| 53 | 34 | E minor | c.1778 or 1783 | Published 1783 in London in unauthorized edition by Beardmore & Birchall | |
| 54 | 40 | G major | 1784 | First movement (6:36): Second movement (3:01): | Published 1784 in Vienna by Bossler |
| 55 | 41 | B♭ major | 1784 | Published 1784 in Vienna by Bossler. This is the only sonatas whose second section of the 2nd movement is in B flat minor, which is extremely rare in classical era compositions. | |
| 56 | 42 | D major | 1784 | Published 1784 in Vienna by Bossler | |
| 57 | 47 | F major | 1788 | Different version of L. 19. The minuet is not included in L. 57. Authorship of the Moderato is uncertain. | |
| 58 | 48 | C major | 1789 | Published 1789 in Leipzig by Breifkopf | |
| 59 | 49 | E♭ major | 1789-90 | ||
| 60 | 50 | C major | 1794 | Composed in London | |
| 61 | 51 | D major | 1794 | Composed in London | |
| 62 | 52 | E♭ major | 1794 | Composed in London. This is the only sonata whose second movement is a remote key instead of a typical B flat or A flat Major. |
These works are in Category XVII of the Hoboken catalogue.