This is a list of notable programming languages optimized for sound production, algorithmic composition, and sound synthesis.

Contents

• See also
• References
• External links

• ABC notation, a language for notating music using the ASCII character set
• Bol Processor, a model of formal grammars enriched with polymetric expressions for the representation of time structures
• ChucK, strongly timed, concurrent, and on-the-fly audio programming language
• Real-time Cmix, a MUSIC-N synthesis language somewhat similar to Csound
• Cmajor, a high-performance JIT-compiled C-style language for DSP
• Common Lisp Music (CLM), a music synthesis and signal processing package in the Music V family
• Csound, a MUSIC-N synthesis language released under the LGPL with many available unit generators
• Extempore, a live-coding environment that borrows a core foundation from the Impromptu environment
• FAUST, Functional Audio Stream, a functional compiled language for efficient real-time audio signal processing
• GLICOL, a graph-oriented live coding language written in Rust
• Hierarchical Music Specification Language (HMSL), optimized more for music than synthesis, developed in the 1980s in Forth
• Impromptu, a Scheme language environment for Mac OS X capable of sound and video synthesis, algorithmic composition, and 2D and 3D graphics programming
• Ixi lang, a programming language for live coding musical expression.
• JFugue, a Java and JVM library for programming music that outputs to MIDI and has the ability to convert to formats including ABC Notation, Lilypond, and MusicXML
• jMusic
• JSyn
• Keykit, a programming language and portable graphical environment for MIDI music composition
• Kyma (sound design language)
• LilyPond, a computer program and file format for music engraving.
• Max/MSP, a proprietary, modular visual programming language aimed at sound synthesis for music
• Mercury, a language for live-coding algorithmic music.
• Music Macro Language (MML), often used to produce chiptune music in Japan
• MUSIC-N, includes versions I, II, III, IV, IV-B, IV-BF, V, 11, and 360
• Nyquist
• OpenMusic
• Orca (music programming language) ^[1]
• Pure Data, a modular visual programming language for signal processing aimed at music creation
• TidalCycles, a live coding environment for algorithmic patterns, written in Haskell and using Supercollider for synthesis
• Reaktor
• Sonic Pi
• Structured Audio Orchestra Language (SAOL), part of the MPEG-4 Structured Audio standard
• Strudel
• SuperCollider
• SynthEdit, a modular visual programming language for signal processing aimed at creating audio plug-ins

See also

• Comparison of audio synthesis environments
• List of music software

References

External links

• PLUM - Programming Languages Used for Music