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The Glades culture is an archaeological culture in southernmost Florida that lasted from about 500 BCE until shortly after European contact. The people in the culture area were hunter-gatherers with some semi-permanent villages. At the time of European contact, the people of the Glades culture area included the Tequesta people, who lived along the southernmost Atlantic Coast of Florida, in the Everglades, and likely in the Florida Keys, and the Jaega people, who lived along the Atlantic Coast north of the Tequesta. The Muspa people lived on Marco Island in the northern Ten Thousand Islands, which had been part of the Glades culture area until about 1300, when Glades-style pottery and other artifacts found at the Muspa site were replaced by ones similar to those of the Caloosahatchee culture.
In the first half of the 20th century archaeologists regarded all of southern Florida (south of a line from north of Port Charlotte to Fort Pierce) as a single culture area. Large excavations of archaeological sites were less common in southern Florida than in the rest of the state, especially inland from the coasts. Most of the ceramics found in southern Florida were undecorated, hampering the recognition of cultural and chronological differences. The lack of evidence of maize cultivation in South Florida also contributed to the perception that it was a single culture area, inhabited by hunter-gatherers practicing an Archaic lifestyle. [1]
As more was learned about the archaeology of southern Florida in the 1960s and 1970s, the region was divided into three parts, Okeechobee (the Okeechobee Basin and areas to east and west of it), Calusa (the southwest coast and inland areas), and Tekesta (the rest of southern Florida, including the Florida Keys. Uncertainty about the relationship of the Calusa and Tequesta people to their namesake regions and new archaeological data led to a revision of the defined cultural areas. By late in the 20th century, southern Florida had been divided into the Caloosahatchee, Belle Glade, and Glades culture areas. [2]
The Glades culture area is defined to include the Everglades, the Florida Keys, the Atlantic coast of Florida north through present-day Martin County and the Gulf coast north to Marco Island in Collier County. The definition does not include the area around Lake Okeechobee, which was part of the Belle Glade culture. Three areas at the extremities of the cultural area are regarded as possible variant districts: the Ten Thousand Islands district in southern coastal Collier County and northern Monroe County, the East Okeechobee district in eastern Martin and Palm Beach counties, and the Florida Keys. [2] At the time of first European contact, the Ten Thousand Islands district was part of the Calusa domain, [a] the East Okeechobee district was inhabited by the Jaega people, and the area of Broward and Miami-Dade counties was inhabited by the Tequesta people. The inhabitants of the Florida Keys were called Matecumbes by the Spanish, but it is not clear how distinct they were from the Tequesta.
The Glades culture is defined almost entirely on the basis of pottery. Much of the pottery throughout the Glades culture period was undecorated. It is identified as Glades primarily by the character of the sand and grit included in the clay used to form the pottery. Most Glades pottery was produced by coiling. Some bowls were decorated with puncture marks and/or incisions. A late development was "tooling", in which the rims of pots were decorated by pinching (resembling the edge of a pie crust), folding, or pressing a dowel into the rim. Glades Tooled pots were otherwise undecorated carinated bowls. [5] Most Glades pots were "open mouthed hemispherical bowl[s]". [6]
In 1939, John Goggin decribed two types of pottery as indicative of the Glades culture, Glades Gritty, made of a hard paste with a quartz sand temper, and Biscayne Chalky, made of a soft paste with either no temper or a very fine fiber temper. The Biscayne Chalky ware was eventually synonymized to the St. Johns series of northern Florida. In 1944, Goggin described the Glades series, based on the Glades Gritty ware. [7]
Pottery types of the Glades series include:
Pottery of the St. Johns series, originally described in southern Florida as "Biscayne Chalky" ware, has been found in Glades culture sites. Griffin, while admitting that the presence of St. Johns ware in southern Florida presents a problem, rejects the idea that "chalky" ware was produced in the Glades culture area because there is no commonality in the decorative motifs used in the two series. [21] It has been assumed that St. Johns ware is "chalky" because it is made with clay from the St. Johns River valley that includes fresh water sponge spicules. Bloch et al. found that muck, which is common in southern Florida, can serve as a temper that produces "chalky" ware. They conclude that St. Johns ware was produced over much of the Florida peninsula, and not just in the St. Johns valley. [22]
Pottery types of the St. Johns series found in the Glades culture area include:
A Goodland series has been defined based on pottery found on Marco Island. It has a fine grit as temper and is somewhat chalky. Goodland Plain and Goodland Red, with red paint, have been defined as types. Belle Glade Plain ware has a surface that has been compacted by a tool that dragged grains of sand across the surface, leaving it scratched and pitted. [26]
Pottery types from outside of southern Florida have been found in Glades culture sites, and are generally assumed to have been traded into the area. Leon-Jefferson and San Marcos pottery types found at Glades culture sites may be due to people who moved from northern Florida after the aboriginal peoples of the Glades culture died out or left the area. [27]
Most tools found in Glades culture sites are made of bone or shell. Tools made from the shells of large sea snails ( Busycon , Pleuroploca , and Strombus ) included picks, hammers, adzes, celts, gouges, chisels, awls, knives, scrapers, cups, and dippers. Clam shells were used as anvils. [28]
Sea snail shells were often modified by removing the columella, the tightly coiled "pillar" running along the axis of the shell. Such modified shells have been described as dippers and bowls. Pieces of the large outer whorls of sea snail shells were fashioned into vessels described as cups, saucers, and spoons. Whole sea snail shells were fashioned into picks by grinding the lower end of the shell into a chisel-shaped point. Picks usually had holes that would take a wooden handle. Cushing found some specimens at Key Marco in 1896 that still had lashings holding a handle in place. [29]
Whole sea snail shells were also used as hammers, with a pounding surface on the lower end. While some may been fashioned as hammers from the start, archaeologists believe most began as picks, and then were used as hammers after the chisel-point had worn down. Some hammers appear to have been hafted, while others had much of the outer whorls cut away so that the columella could be used as a handle. Both ends of some shells had been used as pounding surfaces. [30]
Pieces of shell were fashioned into small blades that were set in sockets in antlers. Celts and chisels were fashioned from larger pieces of shell. Celts were probably used to work wood. Small columellas were sharpened at one end and used as awls. Shells of Macrocallista nimbosa , the sunray venus clam, were used as knives or scrapers. [31]
Other artifacts of shell include pierced bivalve shells, gorgets, pendants, beads, and rings. Goggin noted that there were "surprisingly few" shell beads found at Glades culture sites, considering how much use the culture made of shell. Cushing found earplugs at Marco Island that were made from wood, shell rings, and tortoise shell. [32]
Chert is not found in southern Florida, and tools made from that mineral are rare in the Glades culture area. Tools such as hones or abraders and pounders or hammers were made from sedimentary rocks such as limestone and sandstone. plummets were made from limestone and grooved pebbles, and may have been used as weights for fishing nets, or as personal decorations. [33]
Other objects of the Glades culture include shell beads and ornaments made from fish vertebrate and carnivore teeth. Limestone, shell, and bone were carved into small figurines, particularly of birds. Objects made from wood include canoe paddles, pounders shaped like a dumbbell, anthropomorphic figurines, and bowls. [34] Tools made from deer bones and antlers included awls, fids, and pins. Fish spines and the tail spines of stingrays were used to make holes. Shark teeth were used for cutting and engraving. Animal jaws and barracuda teeth were also used as tools. Fishing net gauges were made from turtle bones and shell.
On the basis of pottery sequences, the Glades culture period is divided into Glades I, 500 BCE to 750 CE, Glades II, 900 to 1200, and Glades III, 1200 to 1513. [33]
The early Glades I period, from 500 BCE to CE 500, is based on the introduction of sand-tempered pottery in the area. [b] The pottery, called Glades Plain or Glades Gritty Ware, was undecorated. The late Glades I period (AD 500–750) saw the addition of decorated types including Sanibel Incised, Cane Patch Incised, Fort Drum Incised , and Fort Drum Punctated. [36]
Decorated pottery introduced in the Glades IIa period (750–900) included Key Largo Incised, Opa Locka Incised, and Miami Incised. Key Largo Incised comprised most the decorated pottery during the Glades IIb period (900–1100), with the addition of Matecumbe Incised. In the Glades IIc period (1100–1200) decorated pottery almost disappeared, with only some pots with grooved lips present and the appearance of Plantation Pinched. [36]
The Glades IIIa period (1200–1400) saw the appearance of Surfside Incised and some lip-grooving. St. Johns Checked Stamped and Safety Harbor ware also appeared. Decorated pottery again largely disappeared in the Glades IIIb period (1400–1513). St. Johns Checked Stamped and Safety Harbor sherds continued to be present and Glades Tooled ware appeared. [36]
The Glades culture area consists primarily of wetlands. Much of it includes the Everglades, dominated by sawgrass marshes interspersed with tree islands. Other major wetlands in the culture area are the Big Cypress Swamp and the Ten Thoisand Islands. Salt marshes and mangrove forests, now much reduced by development, formerly lined both coasts. [37] The culture area also included areas of higher ground, particularly along both the Atlantic and the Gulf coasts, with (pine flatwoods, pine rockland and rockland hammocks), which are now also much reduced by development. [38]
Archaeological sites in the Glades culture area include earth and shell middens and sand and shell mounds. Some sites are extensive, including large shell works. Large middens and mounds probably accumulated over many generations, and the larger ones may have been the site of a village. Smaller middens may represent temporary camps used in hunting or gathering resources. Shell middens and mounds are common on and near the coasts, while earth middens are more common in the interior. Some of the mounds may have used for ceremonial purposes or had a charnel house on the top. [39]