Development
For the film's soundtrack and score, Anand roped in his regular collaborator Harris Jayaraj to compose the music thereby marking his first collaboration with Dhanush. [1] After his commitments on multiple films, by early-2014, he had begun composing the songs for the film in Paris. [2] [3] By May 2014, Jayaraj had began recording a folk number titled "Aathadi Aathadi" which was written by Vairamuthu. [4] Anand suggested Bhavatharini to record vocals for the song as it suited her voice, and the team requested her to do so to which Bhavatharini agreed. [5]
In June 2014, Jayaraj recorded another song titled "Roja Kadale" also written by Vairamuthu; the song was recorded by Shankar Mahadevan, whom Harris had collaborated after Ghajini (2005). [6] Later that month, he had recorded a "peppy number"—later deciphered to be "YOLO (You Only Live Once)"—and was written by director C. S. Amudhan. [7] This was his second song in his stint as a lyricist, as he previously wrote for "Maddy Maddy" from Minnale (2001), also composed by Jayaraj. [8] [9] Regarding Amudhan's involvement, Anand said that as the song situation is based on how software employees wanting to have a chilled weekend, he searched for a lyricist who can capture the mood of the song, and ultimately zeroed on Amudhan whom he considered a "relaxed person at the core". [10]
The dappankuthu number "Danga Maari Oodhari" was written by Rokesh and performed by Marana Gana Viji, in his maiden respectively stints as a songwriter and singer, while also featuring additional vocals from Dhanush and Naveen Madhav. Anand wanted Jayaraj to be devoid of western instruments and preferred him using local instruments like thaarai thappattai (lit. 'traditional folk percussions') for an earthy touch. [11] After the tune was composed, Anand wanted a lyricist who is proficient in the local slang on Tamil and conjured up around 150 words, out of which Rokesh's lines intrigued the director. [11] Rokesh, who worked as a machine operator in Vyasarpadi, used to write gaana songs as a hobby. He was briefed to write the song with words appropriate to a slum in the 1970s and had completed writing the lyrics within a day. But as the words were much alien to them, he would explain the lyrics one by one and would rewrite several times before the lyrics were finalised. [12] Naveen Madhav, who recorded the vocals of the song claimed that the note was really high and had to strain his voice to make it pitch perfect, which in turn making his much different and unrecognizable. [13]
In August 2014, Jayaraj informed via Twitter that almost all the songs were completed. [14] By October, Jayaraj had completed the final mix of the songs. [15] The music rights were acquired by Sony Music. [16]
Reception
The Times of India -based critic gave 3 out of 5 to the album and stated "Harris and Anand made a fantabulous comeback with a string of songs encompassing different variety of genres of music." [24] Siddharth K of Sify also provided the same rating and wrote "Anegan is another regular Harris Jeyaraj fare where the tunes keep giving a déjà vu to the listeners [...] While songs like "Roja Kadale", "Thodu Vaanam" and "Danga Maari" impress, the remaining songs fall flat making it an album not on the same lines of Ko and Maatraan ." [25]
Karthik Srinivasan of Milliblog considered it a "mild improvement" in comparison to the composer's previous three outings. [26] Vipin Nair of Music Aloud gave 7.5 out of 10 to the soundtrack and stated "The reuse/inspiration aspect notwithstanding, Anegan is the best soundtrack that Harris Jayaraj has produced for KV Anand from among their four outings together." [27] Anupama Subramanian of Deccan Chronicle wrote "Harris Jayaraj’s Danga Maari number is already a rage. All the other songs are okay." [28]
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