Parliament-Funkadelic is an American funk music collective of rotating musicians headed by George Clinton, primarily consisting of the bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and post-disco artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.

Parliament was an American funk band formed in the late 1960s by George Clinton as part of his Parliament-Funkadelic collective. More commercial and less rock-oriented than its sister act Funkadelic, Parliament drew on science-fiction and outlandish performances in their work. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk ," and Top 40 albums such as Mothership Connection (1975).

Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s. Relative to its sister act, Funkadelic pursued a heavier, psychedelic rock-oriented sound. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).

Maggot Brain is the third studio album by the American funk band Funkadelic, released by Westbound Records in July 1971. It was produced by band leader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. It was the final album recorded by the original Funkadelic lineup; after its release, original members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.

America Eats Its Young is the fourth album by Funkadelic, released in May of 1972. This was the first album to include the whole of the House Guests, including Bootsy Collins, Catfish Collins, Chicken Gunnels, Rob McCollough and Kash Waddy. It also features the Plainfield-based band U.S.(United Soul), which consisted of guitarist Garry Shider and bassist Cordell Mosson, on most of the tracks. Unlike previous Funkadelic albums, America Eats Its Young was recorded in Toronto, Ontario, Canada, and in the UK. The original vinyl version contained a poster illustrated by Cathy Abel. The bottom of the poster features the first widespread appearance of the Funkadelic logo, which would later appear on the cover of the album Standing On The Verge Of Getting It On.

Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart.

Let's Take It to the Stage is the seventh album by American funk/soul/rock band Funkadelic. It was released in April 1975 on Westbound Records. The album charted at number 102 on the Billboard 200 and number 14 on the R&B Albums.

Hardcore Jollies is the ninth studio album by the funk band Funkadelic, released on October 29, 1976 by Warner Bros. Records, their first album to be issued on a major label. It is dedicated to "the guitar players of the world." Originally, the first side of the album was called "Osmosis Phase 1" and the second side was "Terribitus Phase 2." Hardcore Jollies was released one month after Funkadelic's last album for Westbound Records, Tales of Kidd Funkadelic, which was made up tracks recorded at the same sessions.

Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976 on the Westbound record label. It was actually released after Funkadelic had left the label, in order to capitalize on Funkadelic's new-found fame. The tracks were outtakes recorded around the same time as Hardcore Jollies and given to Westbound by George Clinton as a contractual obligation. The tracks were belatedly thrown together by Westbound to form another album for release, Tales of Kidd Funkadelic. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.

Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, "Computer Games" restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid 1980s.

Osmium is the debut album of American funk band Parliament, led by George Clinton. The album has a psychedelic soul sound with a spirit of experimentation that is more similar to early Funkadelic than the later R&B-inspired Parliament albums. It was originally released in July 1970 on Invictus Records. The original vinyl release contained a glossy lyric sheet.

All The Woo In The World is the debut Funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Billy Bass Nelson, and Eddie Hazel.

The Final Blow is a compilation album by Fred Wesley and the Horny Horns. The album first released on the P-Vine record label in 1994, then on the Sequel label in the United Kingdom, and the AEM label in the United States. The album is made up of unreleased tracks recorded during band's heyday in the late 1970s.

Funkadelic Live: Meadowbrook, Rochester, Michigan 12th September 1971 is a 1996 live release featuring the only official in-concert recording from early in the career of Funkadelic. Westbound Records owner Armen Boladian had decided to record the show without the band's prior notice, for a possible official live album release. Boladian then decided not to go forward with the project. The soundboard recording resided with engineer Ed Wolfram until being unearthed in 1996. The album contains the entire live performance of September 12, 1971 minus approximately three minutes of between-song chatter.

The Whole Funk & Nothing But the Funk is a 2005 compilation album by Funkadelic featuring songs recorded for Warner Bros. Records during the band's career with that label from 1976 to 1981. No Funkadelic recordings from any other record labels or time periods are included. The compilation includes two rarities: instrumental versions of "One Nation Under a Groove" and "The Electric Spanking of War Babies" that had originally appeared as B-sides.

George Clinton: The Mothership Connection is the title of a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.

Toys is a compilation consisting of unreleased music by the funk band Funkadelic. It was released by Westbound Records in 2008 and consists of previously unreleased sessions recorded during the band's tenure for Westbound. The album was originally scheduled to be released in 2002, but was delayed numerous times, presumably due to legal issues. The CD also features a video clip of the song "Cosmic Slop", which can only be viewed on a PC.

P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.