This is a selected list of compositions by Alexander Mosolov . It includes all works with an opus number regardless of the date of publication as well as all known works composed before 1936, as it has been noted that it was "impossible to discern the former avant-gardist in the works written from the late thirties onward" (Frolova-Walker 1998, p. 336n8). Note - according to the New Grove Dictionary of Music and Musicians (1980) entry on Mosolov, many of his compositions are lost.

Contents

• By genre
• Piano
• Vocal
• Chamber
• Orchestra
• Operas
• Ballets
• By opus number
• Without opus number
• References

By genre

By opus number

• Op. 1, Twilight (1923–1924)
• Op. 1, Two Songs on Revolutionary Texts (1920s)
• Op. 1, Two Poems for voice and piano (1924)
• Op. 1, Nos. 3 & 4, Two Poems for voice and piano (1924)
• Op. 2, Three Lyric Pieces for viola and piano (1922–1923)
• Op. 2, Elegy for cello and piano (n.d.)
• Op. 3, Sonata No. 1 (1924)
• Op. 4, Sonata No. 2 (1923–1924)
• Op. 5, Legend for cello and piano (1924)
• Op. 6, Quatrain "Sphynx" for voice and piano (1920s)
• Op. 6, Three Quatrains for voice and piano
• Op. 6, Sonata No. 3 (initially Op. 8; lost; 1924)
• Op. 7, Four Songs (n.d.)
• Op. 9, Three Keys for voice and piano (n.d.)
• Op. 9, Twilight (1925)
• Op. 10b, Ten Settings from Blok for voice and ensemble (1925)
• Op. 11, Sonata No. 4 (1925)
• Op. 12, Sonata No. 5 (1925)
• Op. 13, Three Vocalizations (1925)
• Op. 14, Concerto No. 1 for piano and orchestra (1926–1927)
• Op. 15, Two Nocturnes (1926)
• Op. 16, Offering, quatrains for voice and piano (1927)
• Op. 17, Ballad for clarinet, cello, and piano (initially Op. 10; lost; perf. 1925)
• Op. 17, Four Settings for voice and string quartet (1926)
• Op. 18, Three Children's Scenes (1926)
• Op. 19, Iron Foundry , orchestral episode from ballet Steel (1926–1927)
• Op. 19a, Steel, ballet suite in four episodes (1927)
  • 1. Iron Foundry
  • 2. In Prison
  • 3. At the Ball
  • 4. On the Square
• Op. 21, Four Newspaper Announcements
• Op. 21a, Viola Sonata (1920s)
• Op. 23a, Three Pieces (1927)
• Op. 23b, Two Dances (1927)
• Op. 24, String Quartet No. 1 (1926)
• Op. 25, Scorpion for voice and piano (1920s)
• Op. 26, Four Cadences and a Coda for string quartet (1920s)
• Op. 27, Dance Suite for piano trio (1920s)
• Op. 28, Hero (1927)
• Op. 30, Wind Quartet (n.d.)
• Op. 31, Two Pieces on Uzbek Themes (1929)
• Op. 33, Three Songs for voice and orchestra (1930s)
  • 1. Turkmenian Song
  • 2. Kyrgyz Song
  • 3. Afghan Song
• Op. 33a, Turkmenian Lullaby for chorus a capella (n.d.)
• Op. 34, Concerto No. 2 for piano and orchestra (1932)
• Op. 35, The Dam (1929)

References

• Frolova-Walker, Marina (1998). Higgins, Paula (ed.). "'National in Form, Socialist in Content': Musical Nation-Building in the Soviet Republics". Journal of the American Musicological Society. 51 (2): 331–371. doi:10.1525/jams.1998.51.2.03a00040. ISSN   0003-0139. JSTOR   831980. OCLC   477569929.
• Sitsky, Larry (1994). Music of the Repressed Russian Avant-Garde, 1900–1929 . Westport, CT: Greenwood Press. ISBN   978-0-313-26709-3. OCLC   28962473.